I cannot say that the other programs listed aren't capable. They surely are. But for what I do and my workflow environment, Ableton suits my needs better. I know a lot of people that use Pro Tools and Logic Pro. They are both very powerful programs. I have knowledge of how …
Ableton smokes the competition any day. I believe it is a way better program all around than the rest of the industry leaders. I have used FL Studio as well as GarageBand, and I can safely say that there is no other program that I would rather use for my production needs.
Ableton Live has just the right feature set for electronic music production. It offers more professional features than GarageBand, while not featuring the level of hardware integration or other high end features that you find in Avid Pro Tools. However, I prefer Ableton Live …
While I love Cubase and used it for many years (still do for certain projects), I definitely love Ableton better when it comes to writing music. The shortcuts are much easier to learn and make more sense than Cubase's, which means the time you have to spend setting things up is …
These software are not direct competitors of Ableton, but yes we use them in conjunction with Ableton. Filmora is used for video production and Audacity is used for Audio Editing. So we use all the three software for getting our work done. This combination is highly successful …
I am relatively agnostic about what audio software I use. I still use WaveLab to this day, 21 years later, for applications where I want to apply effects chains and tweak them in real-time. Sound Forge even can't do this for some reason. But when I have a lot of editing to do, …
Ableton can be used in all the scenarios where music production is required. Whether it be professional studios or if it is home productions. It can be used almost anywhere as the features of this software can fit almost in any place. It is also used by professional teams in big companies for marketing and presentation music. I cannot think of any scenario where this is not well suited. If you're making music the professional way, Ableton is the ladder to success.
WaveLab is well-suited when you want to apply a lot of VST FX processing to audio, or do a real-time recording and be able to hear how the FX processing sounds as you're recording. It is an excellent tool for recording in the studio. However, it lacks the sophisticated multitrack capabilities you find in a Digital Audio Workstation (DAW), instead of focusing on the features of an audio editor. It is also great for quickly opening, editing, and saving a lot of files because of how fast it is.
Realtime FX Chain - This is the big one for me. I always had both WaveLab and Sound Forge (along with some other audio editing programs, and using Pro Tools at school). Of the two, I preferred Sound Forge for its user interface and hotkeys, but I preferred WaveLab for its realtime FX. The ability to easily chain FX together and tweak them on the fly while the audio is playing is enormous for me.
Speed - Quite simply, saving a huge file in WaveLab is orders of magnitude faster than in Sound Forge. To this day, I don't know why that is, but it's just faster. Opening and saving files is a breeze in WaveLab, while in some other audio editing programs, it can take 30 seconds or a minute for a large file.
VST Plugin Management - Once you get 100s of VST plugins, it is a major pain to keep them all organized.
Replacing Moved WAVs - When you move the WAV samples, there is the ability to auto-search and replace, but it rarely works. Most often, you have to manually replace the WAVs.
Latency - The ability to autocorrect sync issues due to sound card latency is supposedly a feature offered by Ableton Live, but I have not been able to get it to work correctly, and often have to fix the latency issues myself.
Freeze Occasionally Doesn't Work - Theoretically, you can freeze any track to bounce it to a WAV, but sometimes these WAVs end up blank. This happens with the Access Virus TI-2, for example.
Clicks at Loop Points - Due to quickfades, loops sometimes have clicks in them, particularly if they have a lot of bass frequencies.
User Interface and Hotkeys - I've always struggled with the UI in WaveLab, and even after all these years, I am just much faster in Sound Forge. I used to have a job as an audio editor, where I edited hundreds of hours of interviews. By using the "Mark" feature, I could easily cut out silence, "ums" and "ahs," and other audio artifacts in Sound Forge. I struggled to do the same in WaveLab but was never able to work even a fraction as quickly.
Built-In Audio Processing - I much prefer Sound Forge's built-in audio tools like time-stretching, normalization, compression, and so on. WaveLab has many of the same tools, but I have not found them to be as easy to use, and in some cases, nonexistent (relying instead on a VST plugin).
I haven't had to reach out to support yet, but they're great at keeping me abreast with updates, compatibility issues, new features, and tons of videos on how to use the software. I feel like they're helping me success by giving me tools I can use in my daily work.
I have never contacted Steinberg, so I am not sure how responsive they are. Still, I've watched countless tutorials on audio editing and mastering in WaveLab, so I am pleased with the level of support available from the online community of users. It is a much-loved program among audio industry professionals, and there are all sorts of great tutorials, tips, and tricks available online.
Ableton Live has just the right feature set for electronic music production. It offers more professional features than GarageBand, while not featuring the level of hardware integration or other high end features that you find in Avid Pro Tools. However, I prefer Ableton Live over Avid Pro Tools for electronic music and loop-based or sample-based music production. Pro Tools is great when you are in a studio that has the hardware and you are laying down track after track of recorded audio. But Pro Tools does not have any features to help with songwriting, production, composition, or arrangement. Ableton Live is made with the creator in mind so it has features like the Live view, as distinct from Arrangement view, which allow the creator to easily mix-and-match different sounds and arrangements as a way of discovering what works and what doesn't for a song. Pro Tools is better when the song is already written and you just want to record it, but Ableton Live is better when you are still searching for the eventual arrangement of the song and want to experiment with a lot of different options
I am relatively agnostic about what audio software I use. I still use WaveLab to this day, 21 years later, for applications where I want to apply effects chains and tweak them in real-time. Sound Forge even can't do this for some reason. But when I have a lot of editing to do, I'll typically open Sound Forge instead, because I prefer the workflow of using the "M" hotkey to mark the audio as it's playing, and then quickly skip through markers and edit out audio artifacts. When I'm recording a vocalist, however, if I am not using a Digital Audio Workstation (like Ableton Live), then I do prefer WaveLab. I can apply VST effects in real-time to the audio coming in through the sound card input and playing back in their headphones.
